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Finest Worksongs is a music commentary and history podcast hosted by Matt Lail and Matt Stevens. The podcast is dedicated to discussing ”great albums” and delving into the music and history of the artists behind them. The hosts often reminisce about their 80s childhoods, providing a nostalgic lens through which they explore the chosen albums. While the podcast covers a wide range of musical genres and artists, their discussions often center around seminal albums, exploring their impact, production, and the context in which they were created. They also have ”Summer Jamz” episodes where they focus on a single song instead of an entire album. ”Finest Worksongs” has been recognized in local media, being named one of Raleigh’s Top Podcasts by Raleigh Magazine and voted ”Best Local Podcast” in Wake Living Magazine’s Reader’s Choice Awards. The podcast concluded its regular episodes in early 2025 with its 129th episode, a listener’s choice discussion on The Replacements’ ”Let It Be.”
Episodes

Wednesday Jun 01, 2022
75. David Bowie – The Rise and Fall of Ziggy Stardust and the Spiders from Mars
Wednesday Jun 01, 2022
Wednesday Jun 01, 2022
David Bowie, according to U2’s Bono, was “like a creature falling from the sky.” America may have put a man on the moon, but “we had our own British guy from space.” Bono is referring to when, in 1972, Bowie performed “Starman” on “Top of the Pops,” a seminal moment for young, inspired musicians everywhere. “Starman” was a single on Bowie’s sci-fi/apocalyptic/androgynous concept album, “The Rise and Fall of Ziggy Stardust and the Spiders from Mars” and the album propelled Bowie into the stratosphere as one of the clear giants of music. (Even if the album didn’t set the record sales world by storm.) “Ziggy Stardust” was groundbreaking, gender-bending, genre-shaking, and simply unworldly for its time. The guitar riff from the title track is as well-known a riff as you will ever hear, “Suffragette City” is a rocker worthy of Bowie best-of collections, and the other tracks help inch along a captivating narrative of kaleidoscopic proportions. But it was “Starman” that changed everything. As Bowie sings, “There’s a starman waiting in the sky / He’d like to come and meet us / But he thinks he’d blow our minds.” Bowie was the Starman, and he did, indeed, blow our minds.
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