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Let’s discuss the great albums, they said. Let’s listen, you said.
Episodes
Tuesday Jun 23, 2020
Tuesday Jun 23, 2020
No album brought heavy metal into the mainstream quite like Metallica's "... And Justice For All." It didn't hurt that in the golden age of MTV, the anti-war video for "One" was on HEAVY rotation and turned James Hetfield and the rest of the band into household names. But this was still a heavy metal album with all the boxes checked: dark, brooding lyrics; growling vocals; speed-metal guitar riffs; and even double kick drums courtesy of Lars Ulrich. But unlike a lot of previous metal albums, which tended to dive into the dark and sinister for the sake of being dark and sinister, "Justice" was the thinking man's metal album with songs about loss of freedom, inequality, and, of course justice. But there was still just enough of the songs about death and anger and genocide for any headbanger to enjoy.
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Tuesday Jun 09, 2020
Tuesday Jun 09, 2020
Thursday May 28, 2020
Thursday May 28, 2020
You couldn’t get away from Radiohead’s radio hit “Creep” when it was released on the world in 1992-93. Not even the band could escape the clutches of such a megahit. So they did what any self-respecting band – a band inspired by the DIY ethos the likes of R.E.M. – would do with their next album, which was released in 1995. “The Bends,” the follow-up to “Pablo Honey,” is a tour de force album that 25 years later holds up as perhaps one of the most complete and wonderful albums of all time. The guitar virtuosity of Jonny Greenwood is complemented by the paranoid vocals of Thom Yorke. Oh, and the rest of the band is pretty freaking incredible, too. If people came listening for the next “Creep,” they were sorely mistaken. And thank God for that.
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Tuesday May 12, 2020
Tuesday May 12, 2020
Tuesday Apr 28, 2020
Tuesday Apr 28, 2020
When The Beatles returned to Abbey Road to record their sixth album, they were exhausted from constant touring and releasing at a pace of two albums a year. They also had virtually no songs prepared. But when it was completed, their sixth album was Rubber Soul, arguably the first actual album, not just a collection of songs. This was the turning point; it’s the album that bridges the British Invasion Beatles to Revolver and Sgt. Pepper. It’s the album that turned the music world on its heels, forcing the band’s rivals and contemporaries like the Beach Boys and Rolling Stones to step up their game. In essence, with Rubber Soul, the Beatles were just getting started.
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Thursday Apr 16, 2020
Thursday Apr 16, 2020
Thirty years after it was released, “Disintegration” by The Cure remains a Goth masterpiece. It was Robert Smith’s answer to critics that his band (and, let’s be clear: it was HIS band) could still do moody, dark epics as well or better than anyone. No one was a bigger critic of Robert Smith than himself. So he brought it. It’s all there in its “Cure-iness.” Simon Gallup’s bass is the omnipresent driving low-end of the album. But it’s Smith’s lyrics about creepy lullabies, red-light districts, spidermen and, yes, even love that make “Disintegration” the masterpiece it remains today.
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Tuesday Mar 31, 2020
Tuesday Mar 31, 2020
How does a band reach the pinnacle of both commercial and critical success, dominate the airwaves for a handful of years, only to disintegrate into the ether? That’s probably the question that has haunted the members of Līve for two decades now. The band’s second major album, “Throwing Copper,” was omnipresent on both pop and alternative radio. The video for “Lightning Crashes” was an MTV staple. And then? Poof! After some 8 million albums sold (and a couple of moderately successful follow-ups), they were seemingly gone from the radar. (It could have to do with the fact that in this Google/SEO world, the name “Līve” does not render easily on search engines. Shoulda thought that through, boys!) It’s a shame, really. “Throwing Copper” is everything good about quintessential 90s rock, highlighted by singer Ed Kowalczyk’s mystical/nebulous lyrics.
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Monday Mar 23, 2020
Monday Mar 23, 2020
It would be the album that would break up The Smiths, but not before encapsulating all that was SO ... Smiths about them. “Strangeways, Here We Come” combines the brilliance of Johnny Marr and the poetic, charming violence of Morrissey into a final testament of one of the most influential — if short-lived — bands of all time.
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Tuesday Mar 17, 2020
Tuesday Mar 17, 2020
Young people all around the world were drawn to the angsty lyrics and lilting voice of Dolores O’Riordan when her band The Cranberries were EVERYWHERE in 1993 and 1994. But whereas their debut album featured beautiful pop hits like “Linger” and “Dreams,” their sophomore effort, “No Need to Argue” built upon the passion of relational anguish while shining a light on the horrors and plight of The Troubles in Ireland. Nowhere was that more evident and dramatic than in “Zombie,” which would be The Cranberries’ best-charting song of all time.
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Monday Mar 09, 2020
Monday Mar 09, 2020
What does a band do when the record label shelves their album and ignores them? If you're Jimmy Eat World, you strike out on your own, save your money, and release a platinum album. With their ability to blend pop-punk, rock, and emo, Jimmy Eat World produced such ear candy as Sweetness, A Praise Chorus, and the perfect anthem in The Middle. Good luck not singing along, and if you happened to be in high school when this album came out? Well done, you!
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